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Historical artwork (136)

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EN_00958297_0055
EN_00958297_0055

Engraving of historical astronomy instruments.

EN_00958297_0072
EN_00958297_0072

Horoscope chart of Louis XIV cast by his astrologer, J.B. Morin of Villefranche, from Astrologia Gallica (the Hague 1661). Early horoscope diagrams were drawn in the shape of a square.

EN_00958297_0080
EN_00958297_0080

The great equatorial telescope of the Paris observatory. 1883.

EN_00958297_0081
EN_00958297_0081

New and gigantic telescope, designed by Daniel C. Chapman 1874.

EN_00958297_0083
EN_00958297_0083

Illustration of sky design.

EN_00958297_0085
EN_00958297_0085

Horoscope chart of Louis XIV cast by his astrologer, J.B. Morin of Villefranche, from Astrologia Gallica (the Hague 1661). Early horoscope diagrams were drawn in the shape of a square.

EN_00958297_0096
EN_00958297_0096

William Herschel discovered Uranus in 1781 with this telescope.

EN_00958297_0161
EN_00958297_0161

Six Mechanical Arts: Textile, Work, Smithing, Navigation, Agriculture, Hunting and Medicine. c.1475 from Rodericus Zamorensis, Speculum Vitae Humanae.

EN_00958297_0178
EN_00958297_0178

17th century illustration of agriculture.

EN_00958297_0195
EN_00958297_0195

Title page from "The Epitome of the whole art of husbandry" by Joseph Blagrave, 1675.

EN_00958297_0361
EN_00958297_0361

"The figure of a fearful comet", from Dr. Ambroise Pare's 'Surgery', gives a subjective impression of the comet of 1664-5. Swords, daggers, coffins, and men's heads were supposed to be omens of plague, and plague did indeed break out in London in June of 1665, within 3 months of the comet's visit.

EN_00958297_0396
EN_00958297_0396

Cast for Albrecht von Wallenstein when he was 25 by the astronomer Johannes Kepler, accurately foretold a life of ambition and violence. The center square gives the date and time of his birth and identifies him in German as 'The Noble Man'; the figures in the triangles note the positions of various heavenly bodies that influence 12 areas of his personality.

EN_00958297_0410
EN_00958297_0410

Cast for Albrecht von Wallenstein when he was 25 by the astronomer Johannes Kepler, accurately foretold a life of ambition and violence. The center square gives the date and time of his birth and identifies him in German as 'The Noble Man'; the figures in the triangles note the positions of various heavenly bodies that influence 12 areas of his personality.

EN_00958297_0430
EN_00958297_0430

A comet over an administrative building of the monastery of Einsiedeln in Zurich on the night before the 10th March, 1742.

EN_00958297_0453
EN_00958297_0453

A comet over an administrative building of the monastery of Einsiedeln in Zurich on the night before the 10th March, 1742.

EN_00958297_0465
EN_00958297_0465

Fludd's book on metaphysics. Title page of the 1617 work Utriusque Cosmi, Maioris scilicet et Minoris, metaphysica, physica, atque technica Historia (The metaphysical, physical, and technical history of the two worlds, namely the greater and the lesser) by the English physician, astrologer, and mystic Robert Fludd (1574-1637). The Latin text gives the book's title, the name of the author, and a description of the contents. The artwork at bottom shows Fludd's theory of the microcosm and the macrocosm, with a human figure straddling the microcosm (the inner world), surrounded by the macrocosm (the outer world).

EN_00958297_0466
EN_00958297_0466

The hierarchy of the universe, by Robert Fludd, 1617. The soul descends from perfect unity in the heavens to multiplicity on earth, but seeks to re-ascend. The cosmos is divided here into 3 realms: the elemental, the celestial and the spiritual. To Fludd, the spheres of the planets were both real places and stages in a spiritual progress.

EN_00958297_0481
EN_00958297_0481

The hierarchy of the universe, by Robert Fludd, 1617. The soul descends from perfect unity in the heavens to multiplicity on earth, but seeks to re-ascend. The cosmos is divided here into 3 realms: the elemental, the celestial and the spiritual. To Fludd, the spheres of the planets were both real places and stages in a spiritual progress.

EN_00958297_0500
EN_00958297_0500

As Samuel Colt originally envisioned his repeating pistol in the patent drawing above, it was to have chambers for 10 cartridges. Other changes, including raising the caliber from 34 to .44, were suggested by a texas ranger, Sam Walker.

EN_00958297_0501
EN_00958297_0501

As Samuel Colt originally envisioned his repeating pistol in the patent drawing above, it was to have chambers for 10 cartridges. Other changes, including raising the caliber from 34 to .44, were suggested by a texas ranger, Sam Walker.

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