Sophie de Mac Mahon, Chief Executive Officer of FlixOle, speaks during an AFP interview in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

Sophie de Mac Mahon, Chief Executive Officer of FlixOle, speaks during an AFP interview in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

This photograph shows film cans containing classic films at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

This photograph shows old movie posters stored in a room at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

Enrique Cerezo, film producer and owner of Enrique Cerezo Producciones Cinematograficas and Video Mercury Films, speaks during an AFP interview in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

An employee walks past a wall decorated with old movie posters in the garage of the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

Naiara Illescas loads a film in a scanner to digitised analog film at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

Enrique Cerezo, film producer and owner of Enrique Cerezo Producciones Cinematograficas and Video Mercury Films, talks during an AFP interview at the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

Naiara Illescas loads a film in a scanner to digitised analog film at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

A technician works on a film in the colour correction work area at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

Naiara Illescas loads a film in a scanner to digitised analog film at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

Naiara Illescas loads a film in a scanner to digitised analog film at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

A technician works on a film in the colour correction work area at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

A technician works on a film in the colour correction work area at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

Technicians work on a film in the Restoration work area at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

A technician works on a film in the Restoration work area at the FlixOle laboratory in the Ciudad de la Imagen in Madrid in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

This photograph shows film cans containing classic films at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

This photograph shows film cans containing classic films at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

Naiara Illescas loads a film in a scanner to digitised analog film at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)

This photograph shows film cans containing classic films at the FlixOle laboratory in the Ciudad de la Imagen in Madrid on September 16, 2024. In the heart of the Ciudad de la Imagen in Madrid, deep within a projector that recalls a bygone era, the 35mm film parades through a beam of light that scans it frame by frame, to transform it into a digital file and restore it. Once the film has been scanned, the beautification process begins in the dim light of the FlixOle laboratories and the Mercury Films distribution company. (Photo by OSCAR DEL POZO / AFP)